Modulation effects are great for a variety of applications – vocals, guitars, synths, drums, and more. And we could go on and on about the features, but Pigments is just one of those synths that’s got to be experienced. It’s one thing to talk about it – quite another to experience it. Engine crossmod is also possible.īesides that, you’ve also got two classic and modern filter types, as well as an effects section with 18 algorithms (three FX per bus), two insert buses, one send bus, and modulable parameters.Īnd if that wasn’t enough, Pigments 4 comes complete with an advanced modulation system, a polyrhythmic sequencer and arpeggiator, 1,400 presets, MTS-ESP microtuning, and much more. But it’s also got virtual analog, sample & granular, and harmonic oscillator additive engines. Its fashionable to be wavetable, and Pigments 4 has got a Wavetable engine built in, with over 160 wavetables. With its two parallel engines, you can create just about any sound you want. With its depth, detail, and vintage meets modern design, it has won over plenty of producers, songwriters, and synth players alike. There are a ton of great synths out there, and it’s hard to pick just one! But what we know about Pigments 4 is that it is almost universally loved by its users. But they can come in handy in a variety of arenas, whether it’s filling some space in the background of rock tracks, soaring leads in metal songs, or killer riffs in funk tunes. Synthesizers are sometimes thought to be tools for pop and electronic music alone. You may not need it for everything, but it’s a useful tool to have in your toolbox. No matter the track, and no matter the effect you’re looking for, you can utilize Tactic to build a subtle groove into your tracks or produce unrecognizable glitchy chaos. Tactic features a total of eight sample slots, four sequencers, per-step parameter values, randomizer panel, scalable user interface, over 640 factory samples, and 115 factory presets. Glitchmachines’ Tactic is a percussive phrase generator / master trigger sequencer, which can work as a standalone sequencer, or as part of a signal chain involving other Glitchmachine effects – Fracture XT, Convex, Subvert, Cryogen, and Quadrant. Sure, classic synth sounds are classic synth sounds no matter what, but sometimes you need to shake things up to set your passion aflame. Need to create more rhythmic interest in your tracks? If you use synthesizers a lot, then there’s a good chance you (and your listeners) get bored of hearing the same things over and over. I think you’ll find it’s very capable indeed. There are many reverbs out there, and it’s ultimately a matter of taste, but have a listen to SP2016 Reverb anyway. Of course, there are a few parameters for fine-tuning – the levels section (with input, output, kill, and monitor), the parameters section (with mix, pre-delay, decay, position, and diffusion), and the self-explanatory EQ section. Its convenient Position control allows you to find the perfect placement for reverb in the mix, whether front and center or back in the background. SP2016 Reverb features six vintage and modern reverb algorithms to suit a variety of tastes. This baby sounds just as good as the original hardware version.īut at core, it’s also very simple. And, ideally, it can be used on everything.Īgain, Reaper has some great built-in effects, but if you’re looking to step up your reverb game, Eventide’s SP2016 Reverb is well worth considering. Sooner or later, almost every producer goes looking for a smooth, powerful, customizable reverb that sounds good without all the fuss of endless dialing.
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